IMC 2003: Sessions
Session 202: Impotence and Subversion, I: Sessions in Memory of Michael Camille
Monday 14 July 2003, 14.15-15.45
Sponsor: | International Center of Medieval Art, New York |
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Organiser: | Veronica Anne Sekules, Sainsbury Centre for Visual Arts, University of East Anglia |
Moderator/Chair: | Paul Binski, Department of History of Art, University of Cambridge |
Paper 202-a | English Nonsense: Bottom Up, Top Down and the Humour of Enclosure - Michael Camille and the Politics of the Marginal (Language: English) Index terms: Art History - General |
Paper 202-b | Image on the Ledge (Language: English) Index terms: Art History - General |
Paper 202-c | Farting at Authority (Language: English) Index terms: Art History - General |
Abstract | Paper -a: English nonsense: bottom up, top down and the humour of enclosure. Michael Camille and the politics of the marginal. For Michael the relationship of centre and margin was not (always) that of a stand-off between high and low culture, but a relationship of collusion. Can more be said about the forms of the margin in relation to these politics? The example of the ceiling at Peterborough, a monastic work of art, will be taken as a starting point for nonsensical thoughts. Paper -b: In his characteristically stimulating book, “Image on the Edge” (1992), Michael Camille discussed various genres of late Paper -c: Abstract: In this talk I aim to explore the subversion of authority as shown in the profane arts of the late 15th and early 16th centuries in the North. Burlesque humour in the shape of bums and human orifices was the vent for disrespect and derision, often associated with the tradition of carnival, a time of reversal and the shattering of all norms. This, I hope, will also be in the spirit of Michael Camille. |