IMC 2008: Keywords
IMC 2008: Sessions tagged with Art History - General
- 'And the Ass Saw the Angel': Impressions and Depictions of Nature in Art (621)
- Animal Representation on Land and Sea (823)
- Animals on the Move (813)
- Art and Nature, I: Architecture (121)
- Beasts in Art and Artisanry: Technology and Applications of Animal Materials (318)
- Christian Natural Motives: From the Beginning to the End (1122)
- Concepts of Natural Theology (716)
- Conceptualising Objects: Presentation, Responses, and Display (301)
- Dangerous Encounters: Human and Animal Violence in the Middle Ages (1503)
- Early Medieval Coinage, I: Sceattas - Current Developments (502)
- Early Medieval Coinage, II: Iconography (602)
- Exemplary Animals: Animal Exempla (1222)
- Forests in England and Wales, I: What and Where Were the Forests and What Were They for? (1112)
- Heaven & Earth in the Byzantine World (1318)
- Holy-Land Landscape in Descriptions of Pilgrims of the Three Religions: Perception, Reality, and Imagination (722)
- Imaginary Landscapes of the Afterlife in 15th-Century Spanish Manuscripts (1514)
- Interpreting Late Medieval Textual Cultures (1309)
- Italian and Central European Art as a Playground of Nature (1121)
- Logic, Allegory, and the Natural World (518)
- Manuscripts: Productions, Illuminations, Influences (218)
- Mercantile Piety and the Material Artifact in Late Medieval Yorkshire (302)
- Monastic Ideas of Nature and Bestiaries between the 12th and 14th Centuries (115)
- Monsters and the Margins (723)
- Natural and Social Threads (524)
- Natural History / The History of Nature: Appraising the 'Natural' in the Middle Ages, I (1017)
- Nature, Artifice, and Eternity in the Middle English Lyric (1319)
- Nature, Magic, and Daily Life (616)
- Nature in Sculpture and Architectural Detail (1321)
- New Voices in Early Christian Art: Rome, Ravenna, and Jerusalem (1201)
- Nicaea and Anatolia in the 13th Century: Empire and Architecture (1619)
- Perspectives on Royal Power, II: Kingship, Palaces, and Ritual (225)
- Practice, Print, and Performance: Interpreting Jousts and Chivalric Spectacle in the Late Middle Ages (102)
- Renaissance Medievalism: Dante, Dürer, Deloney (707)
- Representations of the Natural World: Studies in Anglo-Saxon Text and Image (1320)
- Textiles and Jewellery: The Colours of Anglo-Saxon England (116)
- The Natural World in Philosophy, Art, and Literature of the Late Middle Ages (819)
- The Nile in Natural Philosophy and Geography (1015)
- The Power of Words (811)
- The Regular Canons in the British Isles, I: Social Contexts (724)
- The Tree as Symbol, Allegory, and Structural Device in Medieval Art and Thought, I: Trees of Genealogy (112)
- The Tree as Symbol, Allegory, and Structural Device in Medieval Art and Thought, II: Trees of Sacred History (212)
- The Tree as Symbol, Allegory, and Structural Device in Medieval Art and Thought, III: Trees and the Classical Tradition (312)
- The Tree as Symbol, Allegory, and Structural Device in Medieval Art and Thought, V: The Tree in Paradise, the Tree and the Cross (612)
- The Tree as Symbol, Allegory, and Structural Device in Medieval Art and Thought, VI: Trees and Orders (712)
- The Unnatural Jew, II: Jewish Animals (1105)
- The Unnatural World, III: Monstrous Spaces (323)
- Things with Wings: Early Christian Images of Winged Creatures (1021)
- Thomas Becket: Aspects of the Cult of St Thomas (1003)
- Vegetation Motifs and Vegetation Imagery in Religious Art and Architecture (1623)
- Visualising Nature in Medieval Manuscripts (1221)
- Visual Medievalism in Film and Art since 1890 (1107)