IMC 2008: Sessions

Session 720: Troping the Other: Outside the Known or the Ordinary

Tuesday 8 July 2008, 14.15-15.45

Moderator/Chair:Sebastian Sobecki, Department of English, McGill University, Québec
Paper 720-aAn Ecocritical Reading of the 'Green World' Motif in The Canterbury Tales and Sir Gawain and the Green Knight
(Language: English)
Alfred Siewers, Department of English, Bucknell University, Pennsylvania
Index terms: Language and Literature - Celtic, Language and Literature - Middle English
Paper 720-bDangerous Otherworldly Waters in Old and Middle English Poetry
(Language: English)
Alexandra Bolintineanu, Centre for Medieval Studies, University of Toronto
Index terms: Language and Literature - Old English, Language and Literature - Middle English, Learning (The Classical Inheritance), Literacy and Orality
Paper 720-cInternalizing the Other: Cannibalism and Cultural Identity in Crusade Narratives
(Language: English)
Jenna Louise Stook, Department of English, University of Calgary, Alberta
Index terms: Crusades, Language and Literature - Middle English
Abstract

Paper -a:
Chaucer’s use of adapted motifs includes in The Canterbury Tales a sense of overlay landscape akin to earlier Insular Otherworld narratives. In tandem with works of the Gawain poet, this could be seen as part of an early development of Northrop Frye’s Elizabethan ‘green world’ comedy trope. But current developments in environmental philosophy and neurophenomenology suggest further how these 14th-century texts can be a resource for those working in environmental literary criticism, shaping empathy for other beings textually through a dynamic sense of landscape, and presenting non-objectified views of nature rooted both in early Christianity and arguably a type of postcolonial resistance to both Anglo-Norman feudalism and emerging capitalism.
Paper -b:
The Grendel-mere in the Old English poem Beowulf is an eerie and dangerous landscape, a body of water inhabited by monstrous creatures, surrounded by frosty cliffs and forest, haunted by fire on the face of the water. Between the 7th and the 15th centuries, such terrifying landscapes with these specific traits (dangerous bodies of water, monstrous inhabitants, cliffs and forest, unnatural weather involving fire and frost) appear in numerous texts, both Old and Middle English, belonging to diverse traditions: in Beowulf; in narratives about Alexander the Great; in visions of hell and purgatory; and in Arthurian history and romance. I will examine to what extent these strikingly similar landscapes in texts of various genres draw on several interlocking literate traditions, and to what extent they contain traditional themes and motifs, drawn from oral poetics.
Paper -c:
Accounts of cannibalism in which Christian crusaders consume Saracen flesh have recently been discussed as metaphoric consolidations of colonial ambition and as articulations of nationalist sentiment. However, critics have failed to explore the implications of the trope of cannibalism – that is, the consumption and internalization of the Saracen Other – in light of cultural identity and difference. This paper examines the discourse of cannibalism found in the accounts of the First Crusade and in the Middle English romance Richard Coer de Lyon as a medium through which crusade narratives engaged medieval considerations of difference, and explores the extent to which cannibalism represents an ideological fissure that complicates the construction of cultural identity and threatens to disrupt the boundary between self and Other.