IMC 2012: Sessions
Session 802: Artists, Patrons, and Publics around 1500
Tuesday 10 July 2012, 16.30-18.00
| Sponsor: | Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid |
|---|---|
| Organiser: | Elena Paulino Montero, Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid |
| Moderator/Chair: | Diana Lucía Gómez-Chacón, Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid |
| Paper 802-a | The Former High Altar from the Monastery of Zwettl (1516-1525): Considerations on the Matter of Mastership in Comparison with the Altar of Mauer near Melk (Language: English) Index terms: Architecture - General, Art History - Sculpture |
| Paper 802-b | A Romanesque Church in the Renaissance: San Quirce de Burgos in the 15th and 16th Centuries (Language: English) Index terms: Architecture - Religious, Art History - Sculpture, Historiography - Medieval, Monasticism |
| Paper 802-c | From Medieval to Early Modern in Oviedo and Santiago: Pilgrimage, Relics and Rivalry in Northern Spain (Language: English) Index terms: Art History - General, Historiography - Medieval |
| Abstract | This session brings together different approaches to artistic activity in the Late Middle Ages and the Early Modern Era taking into consideration the three main agents involved in its development: patrons, artists and publics. Tradition and change will be specially considered in a period bordering the Renaissance, offering the possibility to examine the reception and keeping of the medieval artistic heritage. The diversity of the geographical areas covered - the Crown of Castile and Central Europe -, as well as the plurality of audiences to which the works of art in discussion were created for -pilgrims, regular orders, country people -, aim to emphasize the diversity of this period regarding the processes of commission and reception. |