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IMC 2014: Sessions

Session 308: Metropolitan / Provincial: Shifting Paradigms in the Study of Byzantine Art and Architecture

Monday 7 July 2014, 16.30-18.00

Sponsor:Mary Jaharis Center for Byzantine Art & Culture, Hellenic College Holy Cross, Massachusetts
Organiser:Vasileios Marinis, Yale Divinity School, Yale University
Moderator/Chair:Vasileios Marinis, Yale Divinity School, Yale University
Paper 308-aWhat is Provincial about the Provinces of Eretz Israel?: Selected Case Studies of Early Byzantine Architectural Sculpture and Floor Mosaics from the Holy Land
(Language: English)
Rina Avner, Israel Antiquities Authority, Jerusalem
Index terms: Archaeology - Sites, Art History - General, Art History - Sculpture, Byzantine Studies
Paper 308-bProvincial Wall Paintings Re-Examined: A Different Perspective on Painted Decorations from the Island of Naxos, Greece
(Language: English)
Theodora Konstantellou, Department of Archaeology & Art History, National & Kapodistrian University of Athens
Index terms: Art History - General, Art History - Painting, Byzantine Studies
Paper 308-cToo Good to be Provincial: Too Poor to be Constantinopolitan - Late Antique Floor Mosaics from Istanbul
(Language: English)
Örgü Dalgıç, Institute of Sacred Music, Yale University
Index terms: Art History - General, Byzantine Studies, Historiography - Modern Scholarship
Abstract

The binary of metropolitan/provincial dominated much of the historical discourse on Byzantine art in the 20th century. According to this model, Constantinople, both an originator and a broker of styles and innovation, occupied a dominant position in the artistic production throughout the Empire. Thus the study of art created in the provinces was often framed by stylistic and iconographic comparisons with (real or imagined) Constantinopolitan models. Although recent research has deconstructed its most dubious claims, this methodological paradigm continues to stand. Through three case studies, this session aims to offer new and nuanced approaches to this topic.