IMC 2015: Strands
IMC 2015: Sessions in strand Art and Architecture
- Age of Bede, I: Material Culture (101)
- Ambiguous Women in Medieval Art, I (1503)
- Ambiguous Women in Medieval Art, II (1603)
- Art and Religious Reforms Promoted by the Crown in 15th-Century Castile (727)
- Artistic Languages of Reform in Italy (1034)
- Artistic Practice: Between Tradition and Renewal (127)
- A Stamp of Authority: Castles and the Reinforcement of Social Hierarchies (802)
- Between Dubrovnik and Venice: Renewal of the Religious and Built Landscapes in Comparative Perspective (830)
- Change or Continuity?: Visual Culture at the Reformation and Beyond (1719)
- Cistercians, V: Imagery and Conceptualisation in Cistercian Thought (637)
- Communities of Reform, IV: Illuminating Reform in the Czech Lands (1218)
- Conceptions of the Past, II: Depicting History and Time (628)
- Constructing Cultural Identities: Mendicant Houses, Power, and Renovatio Urbis, 13th-14th Centuries (1018)
- Cross-Cultural Elements in Art and Architecture (836)
- Dynasticism in Medieval and Early Modern Europe and Beyond, III: Visual Culture and Dynasty in the Jagiellonian Era (304)
- Ecclesiastical Reform as a Meeting Space?: Artistic and Cultural Interchanges under Discussion (1727)
- Emotions in Byzantine Culture, I (511)
- Emotions in Byzantine Culture, II (611)
- Grisaille: Shades of Meaning in Late Medieval Manuscripts (1702)
- Illuminated Charters, I (1502)
- Illuminated Charters, II (1602)
- In Search of Ideal 'Beginning' in Art (1627)
- Investigating Future Premoderns (TM): Neomedieval Aesthetics in the 21st Century (141)
- Mappings, III: Blurred Borders, Conflicting Ideologies (705)
- Medieval Brick Buildings: Patronage and Construction (702)
- Modern Renewals of Medieval Culture, I (719)
- New Approaches to Sculptural Iconography (102)
- New Directions in Manuscript Studies: Queer Readings, II (602)
- New Interpretations of Old Textiles (1002)
- Petrification Processes: Artefacts, Architecture, and Afterlife (1003)
- Pseudo-Dionysius and the Arts, I: The Visual Rhetoric of Hierarchy (711)
- Pseudo-Dionysius and the Arts, II: Ps-Dionysius and the Images (811)
- Reading Architecture: Symbolic and Imagined Spaces in the Works of Anglo-Saxon Authors (1545)
- Reforming Architecture: The Architecture of Reform (227)
- Reform of/through Emotions and Emotional Systems in Medieval Art and Thought (503)
- Reform of Space and Place in Medieval Italy (730)
- Religious Difference and the Promotion and Reception of Art in the Late Middle Ages and Early Modern Era (1527)
- Renewing Historical Traditions (328)
- Rewriting in Byzantine and Medieval Culture (1211)
- Roma Sacra, II: Building Authority and Legitimacy - Ideology, Church Foundations, and Patronage in Late Antique and Early Medieval Rome (1113)
- Teaching Faith, Spreading Doubt: The Portrayal of Religion and the Church in Art, Drama, and Literature (704)
- Textiles and Altar-Pieces: Catering to New Demands in the Late Middle Ages (1102)
- The Body in Medieval Art, I: Corporal Transformation (203)
- The Body in Medieval Art, II: The Altered Body (303)
- The Church in Its Setting: Case Studies (103)
- The Church in Western Iberia (León, Asturias, Galicia, and Portugal), V: Books, Libraries, and Archives (1516)
- The Empire of the Palaiologoi: Ruin or Renewal?, I - Cultures in Transition (1524)
- The Impact of Religious Reform on the Romanesque Art of Aragón (527)
- The Pictorial Narrative: Reformed or Renewed? (826)
- The Political Function of Tombs in Late Medieval Europe, I: Representing the Self (202)
- The Political Function of Tombs in Late Medieval Europe, II: Representing the Group (302)
- The Reform in Art and the Reform of Art in Central Europe (327)
- The Scandalous and the Marvelous in Medieval Art (1228)
- The Visualisation of Belonging: Questions of Inclusion and Distinction in Spanish and Italian Medieval Art (803)
- Visual Reactions to Reform in 12th and 13th-Century Spain (627)