IMC 2016: Strands
IMC 2016: Sessions in strand Art and Architecture
- A Feast for the Eyes: Representations of Eating in Art (325)
- Art and Religion in Early Medieval Manuscript Illumination (330)
- Bishops and the Secular Clergy at Home, I (204)
- Bishops and the Secular Clergy at Home, II (304)
- Cross-Cultural Transmission in Nubian Culture, III: Art and Architecture (303)
- Exploring the 14th Century across the Eastern and Western Christian World, I: Monastic Thought in Art and Literature (1535)
- Exploring the 14th Century across the Eastern and Western Christian World, II: Abundance and Nearness - Communicating with the Viewer (1635)
- Exploring the 14th Century across the Eastern and Western Christian World, III: Transmission, Exchange, Manipulation (1735)
- Feast and Famine, Historical and Metaphysical, Good and Evil (1625)
- Flowers, Gourds, and Green Men: Theology and Symbolism in Medieval Art (1118)
- Food for the Stomach, and the Soul (818)
- Gradations of Life, I: Representing Inanimate Matter in Medieval Manuscripts (730)
- Gradations of Life, II: Representing Inanimate Matter in Medieval Manuscripts (830)
- Hospitallers and Art / Hospitallers in Art (339)
- Medieval Modern: The Use of the Medieval in Modern and Contemporary Arts (1503)
- Medieval Recipes and Cookbooks, III: Physical and Spiritual Health (324)
- Patronage, Piety, and Passover: Artistic Implementations of Lateran IV in Rome, Oxford, and Barcelona (1140)
- Perceiving Angels in the Medieval West, I: Angelic Imagery (530)
- Perceiving Angels in the Medieval West, II: Angelic Music (630)
- Political Change and Metamorphosis of Cultural Landscape in Southern Italy (1126)
- Seals of Men, Women, Families, Clergy: Contrasting European Regions, 1300-1500 (804)
- Serpents, Biting, and Death: The Uncanny Aesthetics of Insular Art (1730)
- Setting the Table: Medieval Tablescapes, Dining, and the Visual Culture of Food (724)
- Spiritual Feasts and Fasts for the Senses: Responses to Christian Ritual (1018)
- Stylus as a Paint Brush: Writing and Artistic Creation, 6th-9th Centuries, I (1511)
- Stylus as a Paint Brush: Writing and Artistic Creation, 6th-9th Centuries, II (1611)
- The Impermanence of Buildings in Anglo-Saxon England (1002)
- The Long Lives of Medieval Art and Architecture, I: Manuscripts and Virgins, Patronage and Performance (1215)
- The Long Lives of Medieval Art and Architecture, II: Buildings and Their Fragments (1315)
- Trespassing Borders, Thresholds, and Frontiers: Sculptors in Iberia and Italy (1040)
- Visual Feasts: Trionfi, Royal Entries, and City Festivals in Late Middle Ages - A Synoptic View from Castille, England, and Aragon (1130)