Session 1715: Collective Display: Medieval Objects out of Isolation, II
Thursday 5 July 2018, 14.15-15.45
|Sponsor:||Meadows Museum, Southern Methodist University, Dallas|
|Organisers:||Amanda W. Dotseth, Meadows Museum, Southern Methodist University, Dallas|
Shannon Wearing, Center for Medieval & Renaissance Studies, University of California, Los Angeles
|Moderator/Chair:||Ana Cabrera-Lafuente, Victoria & Albert Museum, London|
|Paper 1715-a||The More the Mary-er: Collections of Marian Sculptures and Castilian Marian Poetry|
Index terms: Art History - Sculpture, Ecclesiastical History
|Paper 1715-b||Beloved Diamonds and Bedside Statues: Aesthetic Appreciation and Affection in the Late Medieval Collection|
Index terms: Art History - General, Women's Studies
|Paper 1715-c||The Virgin and Child of Jeanne d'Evreux: Old Treasury or Modern Masterpiece?|
Index terms: Art History - General, Manuscripts and Palaeography
Whether in a church treasury, on an altar, or in a museum, objects from the Middle Ages have long been grouped in carefully assembled collections. The collective display of medieval reliquaries, manuscripts, and liturgical goods invites – even compels – a dialogue between their images and materials that can be overlooked when the same items are examined in isolation, as is often the case in a discipline where scholars tend to specialize in particular regions, types of institutions, or media. However, the way we interpret objects is fundamentally impacted by the complementary context of their use and by the collectors or patrons who brought them together. The collection creates a new context as each object is added to it, and it shifts over time, whether as the result of a medieval vision or a modern one.
This pair of sessions invites participants to reinsert objects typically studied in isolation into the context of their collections. The sessions will be devoted to objects and their medieval groupings, such as cathedral treasuries, altars, or an individual owner’s holdings. We seek papers that probe how the collective display of medieval objects impacts their interpretation in a particular historical moment, or over time; redefines their use or meaning; and/or articulates identity (personal, local, national, etc.).