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IMC 2019: Sessions

Session 643: Moving Materials: Medium, Meanings, and Technique in Transit, II

Tuesday 2 July 2019, 11.15-12.45

Sponsor:Student Committee, International Center of Medieval Art (ICMA)
Organisers:Dongwon Esther Kim, Department of History of Art / Graduate Department of Art, University of Toronto
Xin Yue Sylvia Wang, Department of Art, University of Toronto
Moderator/Chair:Maggie Crosland, Classical, Byzantine & Medieval Section, Courtauld Institute of Art, University of London
Paper 643-aFire and Light: Travel through the Stained Glass
(Language: English)
Alejandra Tarno García, Departamento de Humanidades, Universidad CEU San Pablo, Madrid
Index terms: Architecture - General, Art History - General, Technology
Paper 643-bBetween North and South and Heaven and Hell: The Mobility of Fresco Artists in the Trecento
(Language: English)
Claire Barron Jensen, Department of Art, University of Toronto
Index terms: Art History - General, Art History - Painting, Religious Life
Paper 643-cMade in Flanders or Made in Portugal?: The Potential Use of Joinery Method in Distinguishing the 'Origin' of Flemish/Portuguese Panel Paintings
(Language: English)
Sylvia Alvares-Correa, Department of History of Art, University of Oxford
Index terms: Art History - General, Art History - Painting

The second of two sessions of the International Center of Medieval Art's Student Committee panel looks at artists and their choices in working with materials and techniques in transit, addressing the questions of their 'origin' and 'originality' within the context of the changing environment.