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IMC 2020: Sessions

Session 1741: Boundaries between Life and Death in the North Adriatic

Thursday 9 July 2020, 14.15-15.45

Sponsor:Croatian Science Foundation
Organisers:Barbara Španjol Pandelo, Faculty of Humanities & Social Sciences University of Rijeka
Barbara Španjol-Pandelo, Faculty of Humanities & Social Sciences, University of Rijeka
Moderator/Chair:Suzana Miljan, Institute of Historical & Social Sciences, Croatian Academy of Sciences & Arts, Zagreb
Paper 1741-aDevotion of the Cross: The Late Medieval North Adriatic Crucifixes
(Language: English)
Barbara Španjol-Pandelo, Faculty of Humanities & Social Sciences, University of Rijeka
Barbara Španjol Pandelo, Faculty of Humanities & Social Sciences University of Rijeka
Index terms: Art History - General, Art History - Decorative Arts, Art History - Sculpture, Religious Life
Paper 1741-bTime of Vespers: Examples of the North Adriatic Pietà
(Language: English)
Petra Predoević Zadković, Faculty of Humanities & Social Sciences University of Rijeka
Index terms: Art History - General, Art History - Decorative Arts, Art History - Sculpture, Religious Life
Paper 1741-cTo Act 'Post mortem' in Late Medieval Croatian (Glagolitic and Latinism) Literature
(Language: English)
Saša Potočnjak, Faculty of Humanities & Social Sciences University of Rijeka
Index terms: Hagiography, Language and Literature - Slavic, Mentalities, Religious Life
Paper 1741-dAlive or Dead?: Wooden Effigies in Funeral Processions
(Language: English)
Kosana Jovanović, Faculty of Humanities & Social Sciences, University of Rijeka
Index terms: Art History - Sculpture, Daily Life, Mentalities, Religious Life
Abstract

This four-paper session explores various aspects of religious life and its impact on the medieval Northern Adriatic. In accordance with the specific strand of borders and boundaries, the proposed papers will each analyse a particular topic, such as: Were there any boundaries between different artistic influences in the artisanship of late medieval wooden crucifixes and to what extent have they defined the woodcarving production in the North Adriatic? What were the boundaries between various influences on the production of medieval sculptures of Pietà in the context of expressing compassion and piety? How did the representations of saints' power trough relics in late medieval Croatian literature shape cultural imagination of small communities? What message did the wooden effigies tried to convey during the funeral procession?