IMC 2020: Sessions
Session 646: From the Border to the Centre: Digital Images in Medieval Studies Research
Tuesday 7 July 2020, 11.15-12.45
Sponsor: | Digital Medievalist |
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Organiser: | Georg Vogeler, Zentrum für Informationsmodellierung in den Geisteswissenschaften, Karl-Franzens-Universität Graz |
Moderator/Chair: | Lisa Fagin Davis, Medieval Academy of America, Massachusetts |
Paper 646-a | Training an Artificial Paleographer for the Study of Medieval Latin Handwriting (Language: English) Index terms: Computing in Medieval Studies, Manuscripts and Palaeography |
Paper 646-b | Reflectance Transformation Imaging and Medieval Seals (Language: English) Index terms: Charters and Diplomatics, Computing in Medieval Studies |
Paper 646-c | Bringing the Dead (Text) Back to (Digital) Life: Multispectral Imaging (MSI) At the Border between Analogue Object and Digital Surrogate (Language: English) Index terms: Computing in Medieval Studies, Manuscripts and Palaeography |
Abstract | The use of digital images has moved from the borders of medieval studies to the centre. Still, enhanced imaging technologies are object of research: Multispectral imaging give new insights in historical objects, and large scale digitization projects make images and accompanying metadata available in great quantity generating 'big data' that will occupy researchers for decades. The session will explore different aspects of the use of digital images for medieval studies research, its potentials and limitations. In the first paper Hannah Busch presents the potential to use images as training material for Deep Learning, a subfield of Artificial Intelligence and Machine Learning, for automated dating and locating the origin of medieval manuscripts. The second speaker, John McEwan, will evaluate an experimental electronic information management system for seals (DIGISIG) that uses a technique called reflectance transformation imaging. In the final presentation Helen Davis will reflect on how multispectral imaging creates a big data problem and examine the borders between image and object, data and artefact, digital surrogate, and manuscript. |