IMC 2023: Strands

IMC 2023: Sessions in strand Art & Architecture

• AdriArchCult, I: 15th-Century Networks in Dubrovnik - Commissioning, Exchanging, Defending (1011)
• AdriArchCult, II: 15th-Century Humanist Networks in Dalmatia - Commissioning, Exchanging, Representing (1111)
• AdriArchCult, III: Business Networks of Dalmatian Quattrocento Artists - Commissioning, Exchanging, Trading (1211)
• AdriArchCult, IV: Networks of Quattrocento Architectural Production in the Eastern Adriatic - Commissioning, Exchanging, Supplying (1311)
• Annual Medieval Academy Lecture: Somatic Entanglements (Language: English) (901)
• Art Binds Communities in Medieval Europe, I: Networks beyond Borders (1529)
• Art Binds Communities in Medieval Europe, II: Entanglements beyond Religious Communities (1629)
• Art Binds Communities in Medieval Europe, III: Connections within the City (1729)
• Art History and Network: Researching Town Planning, Architecture, and Painting in Europe and in Poland in the Context of Networks (1046)
• A World of Steel and Stone: Networks of Defensive Structures in Medieval Slavonia, Croatia, and Dalmatia (1611)
• Basilica-monasterium: A Comparative Study of the First Holy Sites of Western Christianity, c. 400-c. 900, I (1239)
• British Archaeological Association, I: Networks of Artisans (1533)
• Castle Spaces, I: Conceptualising Castle Spaces in the Built and Natural Environment (1002)
• Castle Spaces, II: Interacting with Castles as Heritage Spaces (1102)
• Castle Spaces, III: Networks of Conquest - Understanding the Significance of Crusader Castles (1502)
• Castle Spaces, IV: The 'Authentic' Castle Experience - Challenging Ideas of Authenticity Regarding Castles as Heritage Spaces in Ireland and Britain, A Round Table Discussion (1602)
• Connecting Medieval Badges and Ampullas (1745)
• Enriched Timelines and the Networks of Gothic Architecture: A Round Table Discussion (1429)
• Entanglements of Faith and the Senses, III: Seeing Mary(an) Devotion in the Middle Ages (327)
• Entanglements of Senses and Networks of Images in Byzantine and Western Medieval Art (829)
• Entanglements of the Senses in Medieval Sacred Art and Religious Experience, I: Perception - Performance (1029)
• Entanglements of the Senses in Medieval Sacred Art and Religious Experience, II: Perception - Smell (1129)
• Entanglements of the Senses in Medieval Sacred Art and Religious Experience, III: Material Culture - Manuscripts and Texts (1229)
• Entanglements of the Senses in Medieval Sacred Art and Religious Experience, IV: Material Culture - Objects (1329)
• Epigraphies of Pious Travel, I: Pilgrims and the Religious Experience (1230)
• Epigraphies of Pious Travel, II: Space and Epigraphy (1330)
• Everything You Want to Know about Hans Memling's Last Judgment but Were Afraid to Ask: A Round Table Discussion (1401)
• Linking Medieval Bronze Doors: Making, Sensing, Documentation (629)
• Making as Method: Medieval Materials, I (745)
• Making as Method: Medieval Materials, II (845)
• Material Entanglements in Medieval Italian Art (229)
• Medieval African Entanglements, I: Art Histories in the Age of the 'Global Middle Ages' (111)
• Medieval Architecture as Disguised Symbolism, I (145)
• Medieval Architecture as Disguised Symbolism, II (245)
• Medieval Art, Networks, and Sources: Some Recent Research (529)
• Mercian Studies, II: Mercian Sculpture, 7th-9th Centuries (1338)
• Mourning and Remembrance, III: Memorials in Southern Europe from Late Antiquity to the Late Middle Ages (1741)
• Networks of Art and Patronage in Late Medieval Western Europe (129)
• Networks of Artisanry: Entangled Objects, Colours, and Paintings (729)
• Networks of Cultural Exchange: Cave Churches, Shrines, and Hermitages - Wall Paintings and Gender in the Mediterranean and Beyond (1217)
• Reception of Texts in Medieval Art and Learning (1647)
• Relics and Reliquaries in Medieval Iberia, c. 1000-1400: Stories, Places, and Identities (148)
• Seams of Time: Medieval Object Narratives and Their Temporalities (1245)
• Secular and Religious Transformations from Late Antiquity into the Early Middle Ages (1209)
• Social Agency of Secular Goldsmiths' Work in the Late Middle Ages, I: Production (1545)
• Social Agency of Secular Goldsmiths' Work in the Late Middle Ages, II: Use (1645)
• Sound Cultures in Medieval Scandinavia: Interdisciplinary Perspectives, I (1044)
• Sound Cultures in Medieval Scandinavia: Interdisciplinary Perspectives, II (1144)
• Textiles and Garments Entangled and Disentangled (333)
• Textiles and Their Social, Technical, and Symbolic Facets (1702)
• The Body in Medieval Art, I (1001)
• The Body in Medieval Art, II (1101)
• The Circulation of Commodities and Material Networks across Medieval Europe (233)
• The Entangled Caucasus, IV: Entangled Architecture - Georgian and Armenian Religious Building (1315)
• The Entangled Parish: Expressions of Parochial Identity (134)
• The Origins, Life, and Afterlife of Byzantine Artistic Formulae (506)
• The Work of Hans Memling through the Lens of Art History, Medicine, and Law: In Search of a Common Language (1301)
• Tracing Material Identities in the Eastern Medieval World (115)
• Tracking a Workshop: Research into the Artistic Production in Late Medieval Bohemia (345)