IMC 2009: Keywords

IMC 2009: Sessions tagged with Art History - Painting

• Architecture, Archaeology, and Landscape of Power, I: Architecture and Iconography of Palaces (103)
• Architecture, Archaeology, and Landscape of Power, III: The Royal Vill in Anglo-Saxon England (303)
• Art and Authority: The Use of Imagery to Establish Orthodoxy (1214)
• Art facing Heresy and Orthodoxy in East-Central Europe (1014)
• Discovering the 'True Church' (1622)
• East and West in Conflict and Dialogue, II: Orthodoxy and its Discontents (810)
• Gendering Heresy, IV: Gender and Visual Representation (709)
• Heresy and Orthodoxy Images in the Medieval Hispanic World (1614)
• Heresy and Orthodoxy in Artistic and Architectural Expression, II: Haeresis and Self-Fashioning (214)
• Illuminating Sacred Vernacular Manuscripts (102)
• In Search of Contexts: The Bad Ones and the Good Ones in Late Medieval Religious Space, I (1521)
• Medieval Interpretations of the Book of Revelation in Text and Image, I (1518)
• Medieval Interpretations of the Book of Revelation in Text and Image, II (1618)
• Orthodox Time: Folklore, Art, and Science (716)
• Orthodoxy and Heresy in Representation of the Holy Family, II: Reconceiving the Virgin (1112)
• Representations of Conformity and Dissent, II (1017)
• The Power of Discourse: The Old and the New in the Hussite Reformation, IV - From Iconoclasm to Persuasion through Art - Visual and Rhetorical Means in Religious Polemics in the Bohemian Reformation (1615)
• The Representation of 'Other' in Medieval Spain, I (117)
• The Representation of 'Other' in Medieval Spain, II (217)
• The V&A at the IMC, II: The Rise of Gothic, 1200-1350 (1102)
• The V&A at the IMC, III: Devotion and Display 1300-1500 (1202)
• Two Men and a Building: Astrology and Religious Heresy in Medieval Europe (714)
• Unorthodox Beings, I: We Are Our Monstrous Others (615)
• Wounds, I: Medieval World and Modern Medicine (226)
• Writ Large: Heresy and Orthodoxy in the Decoration of Medieval Buildings (1314)