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IMC 2010: Sessions

Session 318: Exploring the Monstrous, II: Geographies of the Monstrous

Monday 12 July 2010, 16.30-18.00

Sponsor:MEARCSTAPA (Monsters: The Experimental Association for the Research of Cryptozoology through Scholarly Theory & Practical Application)
Organiser:Asa S. Mittman, Department of Art & Art History, California State University, Chico
Moderator/Chair:Larissa C. Tracy, Department of English & Modern Languages, Longwood University, Virginia
Paper 318-aMonstrum viator: The Travelling Monsters of Herzog Ernst
(Language: English)
Debra Higgs Strickland, Glasgow Centre for Medieval & Renaissance Studies, University of Glasgow
Index terms: Art History - General, Art History - Painting, Language and Literature - German, Manuscripts and Palaeography
Paper 318-b'On what maner he myght dyscrivyn hit aryght': Tundale, Monsters, and the Mappaemundi
(Language: English)
Michelle Kustarz, Department of English, Wayne State University, Michigan
Index terms: Geography and Settlement Studies, Hagiography, Language and Literature - Middle English
Paper 318-cNavigating the Margins: Sources, Analogs, Wandering Monsters, and the Digital Mappaemundi
(Language: English)
Asa S. Mittman, Department of Art & Art History, California State University, Chico
Index terms: Art History - Painting, Computing in Medieval Studies, Geography and Settlement Studies, Manuscripts and Palaeography
Abstract

This is one of two sessions on monsters and monstrosity submitted by MEARCSTAPA. The year's theme of Travel and Exploration is a perfect fit with our interest in monstrosity, a concept frequently linked to geography in the Middle Ages. These three papers focus on the geography of the monstrous, examining how the location of monsters impacted medieval concepts of monstrosity and identity. We will address not only accounts of people travelling to distant monsters, but also texts, images and maps, in which the monsters themselves are the travellers. The papers will address how maps were integrated into medieval understandings of location, identity, and even narrative structure.