IMC 2019: Sessions
Session 1143: A Global Trecento: Objects, Artists, and Ideas across Europe, the Mediterranean, and Beyond, II - Central Italy, France, and the Adriatic
Wednesday 3 July 2019, 11.15-12.45
| Sponsor: | University of Edinburgh |
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| Organisers: | Claudia Bolgia, Edinburgh College of Art, University of Edinburgh Luca Palozzi, Edinburgh College of Art, University of Edinburgh |
| Moderator/Chair: | Frances Andrews, St Andrews Institute of Mediaeval Studies, University of St Andrews |
| Paper 1143-a | Sienese Altarpieces and the Trans-Regional Dissemination of the Iconography of the Coronation of the Virgin (Language: English) Index terms: Art History - General, Art History - Painting, Social History |
| Paper 1143-b | Revising Artistic Relationships between Rome and Avignon in the Trecento: The Movement of Patrons and Artists (Language: English) Index terms: Art History - Painting, Ecclesiastical History, Historiography - Medieval, Social History |
| Paper 1143-c | Multi-Culturalism in the Patriarchate of Aquileia: Rethinking the Trecento in a Global Perspective (Language: English) Index terms: Art History - Painting, Art History - Sculpture, Historiography - Medieval, Social History |
| Abstract | This is the second a four-session series aiming to discuss how the transformative character of the Trecento is indebted to cultural exchanges, movement of artists and patrons, circulation of models and ideas across Italy, Europe, the Mediterranean and beyond. This session focuses on Central Italy, France, and the Adriatic. Paper -a discusses the transregional dissemination of the iconography of the Coronation of the Virgin. Paper -b introduces a hitherto neglected artwork to revise our understanding of the artistic relationship between Rome and Avignon. Paper -c reassesses the art of the Patriarcate of Aquileia in the light of its multi-linguistic and multi-ethnic nature. |