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IMC 2021: Sessions

Session 2316: Textiles in the Climate of Political, Economic, and Religious Change

Friday 9 July 2021, 16.30-18.00

Sponsor:Discussion, Interpretation & Study of Textile Arts, Fabrics & Fashion (DISTAFF)
Organiser:Gale R. Owen-Crocker, Department of English & American Studies, University of Manchester
Moderator/Chair:Monica L. Wright, Department of Modern Languages, University of Louisiana, Lafayette
Paper 2316-aThe Crossover of Design Motifs in Early Medieval Art from Early Medieval England: Metalwork to Embroidery, Embroidery to Metalwork, or Wider Material Cultural Influences?
(Language: English)
Alexandra M. Lester-Makin, School of Arts, Languages & Cultures, University of Manchester
Index terms: Archaeology - Artefacts, Art History - Decorative Arts, Women's Studies
Paper 2316-bA Climate of Exchange: Saintly Bones, Imported Silks, and Religious Devotion to Cologne's Cult of the Virgin Martyrs in the 14th Century
(Language: English)
Claire Kilgore, Department of Art History University of Wisconsin-Madison
Index terms: Art History - General, Economics - Trade, Gender Studies, Islamic and Arabic Studies
Paper 2316-cReflecting a Woven Identity: The Impact of a Global Economic Climate on Two Lucchese Church Façades
(Language: English)
Tania Kolarik, Department of Art History University of Wisconsin-Madison
Index terms: Architecture - Religious, Art History - General, Economics - Trade, Islamic and Arabic Studies
Abstract

The first paper focuses on interrelation between metalwork and embroidery designs: was it one way or a more complex process reflecting a climate of political and religious change? The second investigates painted garments on 14th-century wooden images of Virgin Martyrs suggesting they wear contemporary, fashionable garments in imitation of heavenly glory, but also displaying their efficacy as intercessors for Cologne's economic and religious needs. The third argues that economic climate influenced the 13th-century façade program of two major churches in Lucca, which reflected the city's identity as a luxury textile producer.