IMC 2022: Sessions
Session 1034: Mapping Borders and Cultural Heritage beyond the Eye, I
Wednesday 6 July 2022, 09.00-10.30
Sponsor: | Beyond East and West: Sacred Landscapes of 'Duklja' & 'Raška' / HOLDURA Project, Cultural Heritage in Times of World War I, Österreichischer Austauschdienst (Austrian Agency for Education and Internationalisation), ME 07/2019 |
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Organiser: | Mihailo Popović, Institut für Mittelalterforschung, Abteilung Byzanzforschung, Österreichische Akademie der Wissenschaften, Wien |
Moderator/Chair: | Mihailo Popović, Institut für Mittelalterforschung, Abteilung Byzanzforschung, Österreichische Akademie der Wissenschaften, Wien |
Paper 1034-a | An Ecclesiastical History of Medieval Duklja: A Landscape Defined by Rite (Language: English) Index terms: Archives and Sources, Byzantine Studies, Ecclesiastical History, Geography and Settlement Studies |
Paper 1034-b | Towards Imperial Dignity: A Contribution to the Study of the Imperial Crown of King Stefan Uroš III Dečanski in the Cetinje Monastery (Language: English) Index terms: Art History - General, Byzantine Studies, Hagiography, Local History |
Paper 1034-c | Mapping Cultural Heritage beyond the Eye: The Case of the Crown of the Serbian King Stefan Dečanski (Language: English) Index terms: Archaeology - Artefacts, Archaeology - General, Computing in Medieval Studies, Local History |
Abstract | In this session we will present scholarly results of our ongoing projects 'Beyond East and West: Geocommunicating the Sacred Landscapes of "Duklja" and "Raška" through Space and Time (11th-14th centuries)' (HOLDURA) and 'Cultural Heritage in Times of World War I: The Case of the Austro-Hungarian Relief Map of Montenegro (1916-1918)', both being part of the Tabula Imperii Byzantini Balkans. We will present papers on our sources and data, which we have embedded into our project's TIB OpenAtlas Database and which we query via our frontend 'Maps of Power: Historical Atlas of Places, Borderzones and Migration Dynamics in Byzantium (TIB Balkans)' in order to enhance our research and publications. Moreover, we will introduce aspects of Art History and 3D modelling to the audience, which forms an integral part of our projects. |