IMC 2022: Sessions
Session 1618: Borders of Sound, II: Recreating the Musical Gestures and the Artistic Heritage Space
Thursday 7 July 2022, 11.15-12.45
| Organisers: | Julien Ferrando, Perception Représentations Image Son Musique (PRISM - UMR 6071), Aix-Marseille Université / Centre National de la Recherche Scientifique (CNRS) Marie-Emmanuelle Torres, Laboratoire d'archéologie médiévale et moderne en Méditerranée (LA3M - UMR 7298), Aix-Marseille Université / Centre National de la Recherche Scientifique (CNRS), Paris |
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| Moderator/Chairs: | Vincent Debiais, Centre d'Études Supérieures de Civilisation Médiévale (CESCM), Université de Poitiers / Centre National de la Recherche Scientifique (CNRS), Paris Marie-Emmanuelle Torres, Laboratoire d'archéologie médiévale et moderne en Méditerranée (LA3M - UMR 7298), Aix-Marseille Université / Centre National de la Recherche Scientifique (CNRS), Paris |
| Paper 1618-a | From Image to Sound: Interpreting the Unknown in the Making of Medieval Musical Instruments (Language: English) Index terms: Manuscripts and Palaeography, Music, Performance Arts - General |
| Paper 1618-b | Sacred Sound, Sacred Space: In Search of Lost Sound via Virtual Acoustic-Visual Reconstruction of Sacred Spaces of the Middle Ages (Language: English) Index terms: Architecture - Religious, Computing in Medieval Studies, Manuscripts and Palaeography, Music |
| Abstract | The objective of this session is to open the reflection towards the questions of experimentation around the heritage document, at the same time trace of the musical gesture and place of musical production, of an immersive virtual reconstitution. Immersion, like reconstitution, allows us to go beyond the usual frameworks of production and to create new situations of listening and practice of the musical gesture by exploring a space situated between recreation, restitution, and experimentation. |