IMC 2022: Sessions
Session 514: Doors, Screens, and Stalls: Liminal Spaces in the Medieval Church
Tuesday 5 July 2022, 09.00-10.30
Moderator/Chair: | Claire Kilgore, Department of Art History University of Wisconsin-Madison |
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Paper 514-a | Medieval Church Portals Playing as an Ambiguous Border between Sacred and Profane Spaces (Language: English) Index terms: Architecture - Religious, Art History - Sculpture |
Paper 514-b | The Subjects of Misericordia as the Borders on the Rhineland in the Late Middle Ages (Language: English) Index terms: Art History - Sculpture, Liturgy, Religious Life |
Paper 514-c | The Hidden and the Revealed: A Theological Reading of the Gothic Choir Screen (Language: English) Index terms: Architecture - Religious, Ecclesiastical History, Theology |
Abstract | Paper -a: Paper -b: The separation of the Rhine monasteries from the rest is symbolically indicated by choice of subjects for decorating the interior space of churches. The monasteries-allies (friends) chose the same subjects, and the works of art are made in a stylistically close manner. In this research, I want to observe the subjects on three seats for clergy - in St Martin in Emmerich am Rhein, St Mary's Birth in Kempen, and St Martin in Nettersheim. Choir stalls were made in the late 15th century. All images on misericordias in the mentioned churches can be divided into groups according to the subjects - for example, a literature group or a group of folklore (proverbs). However, the most surprising thing is that these churches depict allegorical images of the Four Elements women. Thus, the clergy marked a symbolic border passing through their monsters. In my abstract, I will try to find all subjects chosen for carving on the seats and find others stylistically close to the listed ensembles of misericordia. Paper -c: |