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IMC 2022: Sessions

Session 735: Old Norse-Icelandic Sagas: Marking and Crossing Borders of Genre

Tuesday 5 July 2022, 14.15-15.45

Organiser:Sabine Heidi Walther, Abteilung für Skandinavische Sprachen und Literaturen, Rheinische Friedrich-Wilhelms-Universität Bonn
Moderator/Chair:Friederike Richter, Nordeuropa-Institut, Humboldt-Universität, Berlin
Paper 735-aTowards the Application of Film Genre Theory in Saga Studies
(Language: English)
Yoav Tirosh, Faculty of Icelandic & Comparative Cultural Studies, University of Iceland, Reykjavík
Index terms: Historiography - Medieval, Language and Literature - Scandinavian
Paper 735-bMaking Sense of Beigaðr's Death: Contextual and Generic Factors in the Íslendingasögur and Landnámabók
(Language: English)
James Titterington, Regent's Park College, University of Oxford
Index terms: Historiography - Medieval, Language and Literature - Scandinavian
Paper 735-cSagas Crossing Genre Borders
(Language: English)
Sabine Heidi Walther, Abteilung für Skandinavische Sprachen und Literaturen, Rheinische Friedrich-Wilhelms-Universität Bonn
Index terms: Historiography - Medieval, Language and Literature - Scandinavian
Abstract

Saga genres are notoriously problematic to define. However, the categorisation according to genre is not a superficial exercise that we undertake for practical reasons to give things a name, but it has important implications for the understanding and interpretation of saga literature. The three papers of this session will address the question of saga genres from three different angles. Yoav Tirosh explores the possibilities of a theoretical transfer of hermeneutic tools from modern film genre theory to saga studies. Anna Katharina Heiniger analyzes comments in the meta-narrative, which can be interpreted as stylistic and generic signposts regarding contemporary notions of narrative aesthetics. Sabine Heidi Walther investigates sagas that deliberately play with markers of different saga genres, asking what it may reveal with regards to the authorial awareness of narratological concepts such as the narrator or fictionality.