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IMC 2022: Sessions

Session 811: Borders and Textiles: Iconographic Meanings and Realities of Eastern Textiles and Clothing in the Middle Ages

Tuesday 5 July 2022, 16.30-18.00

Sponsor:Discussion, Interpretation & Study of Textile Arts, Fabrics & Fashion (DISTAFF)
Organiser:Tina Anderlini, Independent Scholar, Russange
Moderator/Chair:Timothy Dawson, Independent Scholar, Leeds
Paper 811-aExotic Carolingians?: A Critical Approach to Costumes in The Stuttgart Psalter
(Language: English)
Tina Anderlini, Independent Scholar, Russange
Index terms: Art History - Painting, Daily Life, Medievalism and Antiquarianism, Social History
Paper 811-bBehind the Ottoman Turkish Objects Belonging to Sigismondo Malatesta: Novelties, Ambitions, and Contradictions in a 15th-Century Italian Court
(Language: English)
Elisa Tosi Brandi, Dipartimento di Beni Culturali, Università di Bologna
Index terms: Archaeology - Artefacts, Art History - Decorative Arts, Social History
Paper 811-cGarments of Strangers and Strange Garments: Truth and Fantasy in Testard's Eastern Clothes
(Language: English)
Élodie Gidoin-Barale, Centre d'Études Supérieures sur la Fin du Moyen Âge (CESFiMA POLEN EA 4710) Université d'Orléans
Index terms: Art History - Painting, Manuscripts and Palaeography, Social History
Abstract

In this session, we will attempt to consider Eastern influences in medieval costume and images of costume from early to late Middle Ages. The first paper will focus on a famous manuscript, the 9th-century Stuttgart Psalter. Can it be regarded as a good reference when it comes to the knowledge of Carolingian costume? The second paper will be on Turkish garments and objects at Sigismondo Malatesta's court about 1450-60, in Rimini, Italy, arguing on the contradictory relationship between Western and Turkish cultures in the second half of the 15th century. The last paper will look at Robinet Testard's works and examine how he marked, through clothing, the border between the near and the far, the real world and the imaginary one.