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IMC 2023: Sessions

Session 748: The Belliphonic, I: Sounds of War

Tuesday 4 July 2023, 14.15-15.45

Sponsor:DFG Projekt 'Der laute Krieg und die Laute des Krieges: Belliphonie im Mittelalter'
Organiser:Martin Clauss, Institut für Europäische Geschichte, Technische Universität Chemnitz
Moderator/Chairs:Gesine Mierke, Institut für Germanistik, Otto-Friedrich-Universität Bamberg
Pauline Pötzsch, Institut für Europäische Studien und Geschichtswissenschaften, Technische Universität Chemnitz
Paper 748-aLoud, Louder, War: How to Create a Medieval Battle Soundcape
(Language: English)
Hannah Potthoff, DFG Projekt 'Der laute Krieg und die Laute des Krieges: Belliphonie im Mittelalter', Technische Universität Chemnitz
Index terms: Historiography - Medieval, Language and Literature - German, Military History
Paper 748-bFragor, Horror, Metus: Sonic Warfare in the Late Middle Ages
(Language: English)
Raphael Stepken, Institut für Geschichtswissenschaften, Humboldt-Universität Berlin
Index terms: Mentalities, Military History, Music
Paper 748-cListening to Medieval Warfare: About Methodical Problems of the Belliphonic
(Language: English)
Martin Clauss, Institut für Europäische Geschichte, Technische Universität Chemnitz
Index terms: Historiography - Medieval, Military History
Abstract

Anyone who wants to understand how wars were planned, waged, perceived, and portrayed must 'listen' to them: the noise of weapons, screams, speeches, music, and signal sounds. In short: the belliphonic - created and structured social spaces and narrations. Historical research has recently been increasingly concerned with the sound spheres of the Middle Ages. So far, however, the war has remained almost entirely unnoticed. The section is one in a series of two. Both address the question what can be learned about the belliphonic by looking at a variety of sources. Section one focuses on historiographical accounts and asks what functions did sounds fulfil in warfare and war narration? How were they perceived and interpreted? Thus the session brings new aspects to the fields of military and sound history.