IMC 2024: Sessions
Session 1137: Arms, Armour, and the Arts of Combat, II: Is the Pen Mightier than the Sword? - Literary Approaches to Arms, Armour, and Combat
Wednesday 3 July 2024, 11:15-12:45
Sponsor: | Institute for Medieval Studies, University of Leeds |
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Organisers: | Jacob H. Deacon, Institute for Medieval Studies, University of Leeds Karen Watts, Institute for Medieval Studies, University of Leeds |
Moderator/Chair: | Karen Watts, Institute for Medieval Studies, University of Leeds |
Paper 1137-a | Textbook Technique?: Reading Martial Prowess in 15th-Century Pas d'Armes (Language: English) Index terms: Language and Literature - French or Occitan and Military History |
Paper 1137-b | Fencing and Logic: Outlines for a Comparative Study of Heterogeneous Corpuses (Language: English) Index terms: Education, Military History and Philosophy |
Paper 1137-c | The Technical and Personal Poetry of Konrad Kyeser (Language: English) Index terms: Language and Literature - Latin, Learning (The Classical Inheritance), Military History and Technology |
Abstract | This panel highlights the importance of literary approaches to the study of arms, armour, and combat. Jacob H. Deacon will compare narrative accounts of fifteenth-century foot combat in the Livre des faits de Jacques de Lalaing with contemporary fight books, pragmatic texts which address how to fight, specifically Le Jeu de la Hache. Deacon’s paper explores how the author of the Livre des faits uses technical terminology to establish the martial prowess of his subject. Hélène Leblanc will also consider fight books, arguing that signs of philosophical and theological university culture permeate fencing texts. Her paper will focus on that specific part of philosophy with which every student starts – scholastic logic – as this knowledge was available to those with little university education and allows for a reverse analysis of the presence of fencing elements within the corpus of scholastic logic literature. Antti Ijäs addresses the fourteenth-century Bellifortis of Konrad Kyeser, a thoroughly illustrated manuscript depicting siege engines, weapons, and other equipment. Bellifortis concludes with three poems, including a tribute to the artes, an epitaph lamenting Konrad’s approaching death, and a horoscope detailing his birth. Ijäs’ paper considers the metrics of this verse and the significance of Konrad’s astronomical interests and addressing of liberal and technical arts. |