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IMC 2011: Sessions

Session 1519: Money and Memory, II: To Impress the Less - Patronage as Representation of Power

Thursday 14 July 2011, 09.00-10.30

Sponsor:Universiteit van Amsterdam
Organiser:Wendelien A. W. Van Welie-Vink, Afdeling Kunst- en cultuurwetenschappen, Universiteit van Amsterdam
Moderator/Chair:Jitske Jasperse, Departement Kunst-, religie- en cultuurwetenschappen, Universiteit van Amsterdam
Paper 1519-aIn the Shade of His Predecessor: Charles d'Anjou, King of Sicily, and His Patronage
(Language: English)
Wendelien A. W. Van Welie-Vink, Afdeling Kunst- en cultuurwetenschappen, Universiteit van Amsterdam
Index terms: Art History - General, Art History - Painting, Art History - Sculpture, Manuscripts and Palaeography
Paper 1519-bWorking for the Rich: Niccolò da Bologna and His Wealthy Patrons
(Language: English)
Reinoud Dijkhuizen, Departement Kunst-, religie- en cultuurwetenschappen, Universiteit van Amsterdam
Index terms: Art History - General, Art History - Painting, Manuscripts and Palaeography
Paper 1519-cPursued Remorse?: Cosimo de Medici and His Patronage
(Language: English)
Gerardina Schlooz, Departement Kunst-, religie- en cultuurwetenschappen, Universiteit van Amsterdam
Index terms: Architecture - Religious, Architecture - Secular, Art History - General
Abstract

Medieval patronage functions pre-eminently to present a message. Precious manuscripts, expensive objects made of gold, silver, and gems, sculpture and architecture were not only ment to impress the medieval audience by their beauty and richness, but offered also an excellent platform to show the power of the patron by an iconographic program.