IMC 2012: Keywords
IMC 2012: Sessions tagged with Art History - General
- Art and Rules, II: Charles of Anjou Ruling Sicily (1123)
- Art and Rules, III: Art Made for the Counts of Holland (1223)
- Art and Rules, IV: Rules in Production of Manuscripts (1323)
- Artists, Patrons, and Publics around 1500 (802)
- Aspects of Iconography (603)
- At the Edge of Rules: Jesters, Visionaries, and Sorcerers (816)
- Bad, Drunken, and Ridiculed: Perceptions and Portrayals of Danish Knights in the 12th-13th Centuries (1226)
- Body and Law: Embodiment of Law (313)
- By the Rules: Regulating Sources for Art and Architectural History (1712)
- Connecting with the Subject (1511)
- Dress, Textile, and Convention (or Not), I (1103)
- Focus on Charlemagne (508)
- Goods and Ideas: Bridging Continents in the Byzantine World (c. 300-1500), II - Intellectual Transactions, Bridging Minds (607)
- Goods and Ideas: Bridging Continents in the Byzantine World (c. 300-1500), IV - Legacies (807)
- Iconography, Ornamentation, and Adornment in Multicultural Iberia (1305)
- 'If It's Not Broken… ': Breaking the Traditions of Medieval Images (615)
- Making and Breaking the Rules: Exploring the Transgressive and Transformative Power of Images and Taxonomies in the Medieval World (1215)
- Mappings, I: Medieval Mappae Mundi (203)
- Medieval Soundscapes: Orderly and Unruly Sounds and Silences (805)
- Middle English Romance and Arthuriana, II (1331)
- Mobility of Ideas and Transmission of Texts (MITT): Vernacular Literature and Learning in the Rhineland and the Low Countries (c. 1300-1550), III (1225)
- Monastic Medieval Spaces: The Struggle for Architectural and Territorial Rules? (1212)
- Neglecting and (Dis)Obeying the Rules, I: Conflicts and Their Consequences (1017)
- Neglecting and (Dis)Obeying the Rules, II: Conflicting Rules (1117)
- Numbers in Medieval Spirituality and Biblical Exegesis (1506)
- On the Fringes of the Law: Three Examples of the Spanish Middle Ages - Kings, Bishops, and Nobles (1326)
- Outside the Ruling: Signs of Use in Medieval Manuscripts, I: Marginal Interventions and the Functionality of Texts (1102)
- Portals of the Forbidden Images (1205)
- Reassessing Biblical Kings and Ancient Emperors in Romanesque Art (1529)
- Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (703)
- Rebellion, Resistance, and Subversion in Byzantium, the Latin West, and the Medieval Islamic World, II (1307)
- Reconsidering Disciplinary Conventions and Unwritten Rules (115)
- Rules for Death and Dying in Images of Late Medieval Art (614)
- Rules of Patronage and Patronage of the Rule in 15th-Century Castile (515)
- Searching for the Orders' Rule Inscribed in Architecture: Cistercians and Dominicans in Central Europe (312)
- Some Aspects of Exploring the Medieval Countryside in the Orderly State in Prussia: Art as Testimony of Religious Life (1715)
- Textual Boundaries of Human-Animal Interactions (112)
- The Carved Cathedral: From Top to Bottom (803)
- The Crusades and Visual Culture, I: The Loss of Jerusalem in Texts and Images (102)
- The Crusades and Visual Culture, II: Crusading and Later Medieval Manuscript Culture (202)
- The Crusades and Visual Culture, III: Crusade Imagery and Political Propaganda (302)
- The Crusades and Visual Culture, IV: Art and Crusade in Eastern and Islamic Contexts (502)
- The Crusades and Visual Culture, V: Signs and Symbols of Crusader Identity (602)
- The Order of the Spiritual Universe and Its Visual and Artistic Expression (1606)
- The Pontificate of Innocent II, 1130–1143 (122)
- The Power of Books (527)
- The Rules for Reading and Depicting History in Paolino da Venezia's Chronologia Magna and Its Occitan Translation (819)
- The Secret Lives of Books: Adaptation and Alteration in Medieval Manuscripts, II - Tracing the History of a Book (1602)
- Vicissitudes of Cultural Transfers: Case Studies from Late Antiquity to the Late Middle Ages (1706)
- Weaving the Fabric of Society?: Rules of Royals and Nobles in Scotland, c. 1200-c. 1603 (217)