IMC 2019: Sessions
Session 643: Moving Materials: Medium, Meanings, and Technique in Transit, II
Tuesday 2 July 2019, 11.15-12.45
| Sponsor: | Student Committee, International Center of Medieval Art (ICMA) |
|---|---|
| Organisers: | Dongwon Esther Kim, Department of History of Art / Graduate Department of Art, University of Toronto Xin Yue Sylvia Wang, Department of Art, University of Toronto |
| Moderator/Chair: | Maggie Crosland, Classical, Byzantine & Medieval Section, Courtauld Institute of Art, University of London |
| Paper 643-a | Fire and Light: Travel through the Stained Glass (Language: English) Index terms: Architecture - General, Art History - General, Technology |
| Paper 643-b | Between North and South and Heaven and Hell: The Mobility of Fresco Artists in the Trecento (Language: English) Index terms: Art History - General, Art History - Painting, Religious Life |
| Paper 643-c | Made in Flanders or Made in Portugal?: The Potential Use of Joinery Method in Distinguishing the 'Origin' of Flemish/Portuguese Panel Paintings (Language: English) Index terms: Art History - General, Art History - Painting |
| Abstract | The second of two sessions of the International Center of Medieval Art's Student Committee panel looks at artists and their choices in working with materials and techniques in transit, addressing the questions of their 'origin' and 'originality' within the context of the changing environment. |