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IMC 2021: Sessions

Session 1805: Creative Histories, II: Theatrical Approaches to Medieval History

Thursday 8 July 2021, 16.30-18.00

Organiser:Rachel E. Moss, Université de Paris I
Moderator/Chair:Hetta Howes, School of English & Drama, Queen Mary, University of London
Paper 1805-a'Diverse women said diverse things…': Storytelling, Research, and Shipping Custance and Hermengyld
(Language: English)
Daisy Black, Department of English Language, TESOL & Applied Linguistics, Swansea University
Index terms: Language and Literature - Middle English, Performance Arts - Drama
Paper 1805-bCreating Humankind: Exploring the Value of Interdisciplinary Co-Creation of Historical Narratives
(Language: English)
Ellie Chadwick, Department of Theatre, University of Bristol
Index terms: Language and Literature - Middle English, Performance Arts - Drama
Paper 1805-cThe Disappeared Act: Restaging Lost Literature via the Ludus de Sancta Katharine
(Language: English)
Isabelle Lepore, Department of English & Related Literature, University of York
Index terms: Performance Arts - General, Performance Arts - Drama
Abstract

These two linked sessions explore creative, imaginative, unusual methods of producing history. That could mean new methodologies in writing history such as auto-ethnography and fictive histories, but it could also mean using different writing techniques or fundamentally different kinds of sources for writing history. It might also mean not writing at all - are your methods better served through the media of film, spoken word, painting, knitting, baking? In this session, we consider how interpreting and staging medieval drama (even medieval drama that has been lost) can be used as a different way of composing history.