Skip to main content

IMC 2024: Sessions

Session 1620: Adaptation and Crisis: Presences and Absences of the Medieval, II

Thursday 4 July 2024, 11:15-12:45

Organiser:Amber Dunai, Department of Humanities, Texas A&M University, Central Texas
Moderator/Chair:Noah Peterson, Department of English, Texas A&M University, College Station
Paper 1620-a'In seming of scourging': Witnessing, Testament, and the Subversive Presence of the Harrowing in The Scarlet Gospels
(Language: English)
Rachael Robertson, Faculty of Education & Arts, Australian Catholic University, Melbourne
Index terms: Medievalism and Antiquarianism, Religious Life and Sexuality
Paper 1620-bFrom Absence to Adaptation: Finding Gawain in Alex Garland's Men
(Language: English)
Amber Dunai, Department of Humanities, Texas A&M University, Central Texas
Index terms: Language and Literature - Middle English, Literacy and Orality and Medievalism and Antiquarianism
Paper 1620-c'There's no right...there's only the power of [the spectator]': Following the Point of the Cinematic Index into a Process of Ongoing Adaptation
(Language: English)
Allen Redmon, Department of Humanities, Texas A&M University, Central Texas
Index terms: Literacy and Orality, Philosophy and Social History
Abstract

Presences of the medieval in postmedieval contexts bring with them moments of peril, instability, and crisis. Presences of the medieval are, after all, suggestive of potential absences that might result from failure to adapt to ever-changing contexts, concerns, and audiences. Nonetheless, these moments also offer unique opportunities for investigation into adaptation and reception of the medieval, and adaptation and reception themselves. The papers in these sessions take up such opportunities from various vantage points.

This session focuses on presences and absences of the medieval that challenge perceptions and definitions of both the medieval and adaptation more broadly. It includes papers exploring adaptation of the medieval as subversion, how absences of the medieval in film become compelling presences, and how the medieval in film can be used to describe an understanding of the cinematic index linked to an ongoing process of adaptation.