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IMC 2024: Sessions

Session 1736: Crisis and Invention of the Past in Italian Port Cities, 13th-14th Centuries

Thursday 4 July 2024, 14:15-15:45

Organisers:Ilaria Molteni, Centre for Early Medieval Studies, Masarykova univerzita, Brno
Valeria Russo, Centre for Early Medieval Studies, Masarykova univerzita, Brno / Sorbonne Université, Paris
Moderator/Chair:Nicolas Bock, Section d'histoire de l'art, Université de Lausanne
Paper 1736-aRethinking Origins: The Venetian Chronicles and the Myth of Antenor during the Crisis of the 14th Century
(Language: English)
Valeria Russo, Centre for Early Medieval Studies, Masarykova univerzita, Brno / Sorbonne Université, Paris
Index terms: Historiography - Medieval, Language and Literature - Comparative, Local History and Manuscripts and Palaeography
Paper 1736-bHistory and Geography in Time of Crisis: 14th-Century Genoese Maps and Venetian Chronicles
(Language: English)
Ilaria Molteni, Centre for Early Medieval Studies, Masarykova univerzita, Brno
Index terms: Art History - Decorative Arts, Art History - General, Historiography - Medieval and Manuscripts and Palaeography
Paper 1736-cVenetian Art, Crisis, and New Markets: The Gaibana Master across Borders
(Language: English)
Irene Quadri, Section d'histoire de l'art, Université de Lausanne
Index terms: Art History - Painting, Crusades, Economics - Trade and Manuscripts and Palaeography
Abstract

This session intends to determine how social and political crisis represented a trigger in the redefinition of historical self-perception within three main Italian port cities during the late Middle Ages. In particular, the goal is to highlight how, through the creation of fictional past narratives, Genoa, Pisa and Venice aimed at minimizing their military failures and their internal conflicts, while emphasising prestigious pedigrees and mythical origins, and claiming a hegemonic role throughout the Mediterranean culture.

Each paper will determine and analyse: political strategies exploiting artistic and literary representations provided by ancient myths and chivalric legends; the interference between Genoa, Pisa and Venice’s role as trade centres and their artistic production; the use of the literary and iconographic production for celebrating the uniqueness of their identities in time of crisis.