Skip to main content

IMC 2026: Sessions

Session 520: A Time for Songs, I: Musical Lives and Identities

Tuesday 7 July 2026, 09:00-10:30

Sponsor:Musical Lives: Towards an Historical Anthropology of French Song, 1100-1300
Organisers:Emma Dillon, Musical Lives: Towards an Historical Anthropology of French Song, 1100-1300 (MUSLIVE), King's College London
Alice Hicklin, Department of Music, King's College London
Moderator/Chair:Anne E. Lester, Department of History, Johns Hopkins University
Paper 520-aPoet, Bureaucrat, and Anthologist: The Life of Imad al-Din al-Isfahani, 1125-1201
(Language: English)
Matthew Keegan, Department of Asian & Middle Eastern Cultures, Barnard College, New York
Index terms: Islamic and Arabic Studies, Language and Literature - Semitic
Paper 520-bIsabelle de Meulan and the Craons: Colouring in a Trouvère Family through Its Matriarch
(Language: English)
Alice Hicklin, Department of Music, King's College London
Index terms: Historiography - Medieval, Politics and Diplomacy, Social History
Paper 520-cFrom Protest to Pastorale in Court, City, Castle, and Codex: The Mobile Meanings of Adam de la Halle's Jeu de Robin et de Marion
(Language: English)
Carol Symes, Department of History, University of Illinois Urbana-Champaign
Index terms: Language and Literature - French or Occitan, Performance Arts - General, Social History
Abstract

This session explores how poetry and song are positioned and function in reconstructing lives, identities, and communities in the medieval world. These three papers examine the possibilities and limits of different records in shaping musical lives, while also asking how works themselves, through transmission and reuse, accumulated layered biographies across time. What does it mean to live with texts that shift meaning? And how were such transformations sustained across generations of family, community, and memory? Imad al-Din al-Isfahani’s vast poetic anthology, rooted in personal encounters, illuminates how bureaucratic and literary networks overlapped. The Craon family, read through the figure of Isabelle de Meulan, reveals how documentary evidence enriches the poetic corpus for the family, embedding song within strategies of lineage, power, and patronage. The shifting afterlives of Le jeu de Robin et de Marion show how songs and dramas could be continually recontextualized across different settings. These perspectives highlight the interplay between poetry, song, and memory, showing how the composition, compilation and reproduction of different kinds of texts could shape perceptions of family, social bonds and community identities.