IMC 2025: Strands
IMC 2025: Sessions in strand Art & Architecture
- Animals Teaching Humans, I (110)
- Arms, Armour, and the Arts of Combat, III: Spirituality and Combat (732)
- Art and Salvation on Medieval Church Walls (247)
- Artefacts and Artisans, I: Medieval Expertise and Lessons Presented in Maps, Imagery, and Prose (121)
- Artefacts and Artisans, II: Knowledge Transfer in the Medieval Masons' Yard - Masons' Marks as Communication Devices (221)
- Artefacts and Artisans, III: Lessons from the Built Environment (321)
- Books of Hours: Female Devotion and Uses of Manuscripts (107)
- Comparative Approaches to Supernatural Encounters, III: Demons and Visual Culture (344)
- 'Death Becomes You': Funerary Art (1047)
- Dissidents and Double Standards, II: The Imagery of Knowledge (719)
- Educated Sisters in the City: Medieval Female Communities as Lieux de Savoir, II (828)
- Education in Art and Art in Education in the Late Medieval Period (821)
- Healing in Byzantine Art and Hagiography (315)
- Imag(in)ing the Liberal Arts (1736)
- Image and Word Teach Together: Illuminated Medieval Books of West and East in Service of Teaching and Education (1723)
- Imagery and Learning, II: Overlooked Imagery and Annotation (709)
- Images of Non-Humans as Transferrers of Knowledge in the Medieval Church Space of the Northern Baltic Sea Area (137)
- Learning Caucasian Worlds, I: Art and Faith (1030)
- Learning from Lineage: Memory and Transmission of Female Legacies in Medieval Castilian Architecture (1610)
- Learning How to Feel, I: Grief, Mourning, Trauma (1036)
- Learning with and through Images: Medieval Christian Visual Culture and Theological Elaboration - Art and Its Context (1510)
- Legacies of Learning and the Franks Casket: A Round Table Discussion (922)
- Light as a Component in Medieval Art: The Artist's Knowledge and the Insight of the Beholder (1502)
- Loving, Gifting, and Feasting: The Lives and Meanings of Objects at Court (147)
- Medieval Ecocriticisms, III: Arboreal and Vegetal Signs and Symbols (335)
- Medieval Fragments, III: Textile and Architectural Fragments (1221)
- Medieval Images of Science: Domains and Epistemic Tools (337)
- Medieval Sicily, III: Interpreting Ivory (741)
- Mourning and Remembrance, I: Burial Landscapes (501)
- Mourning and Remembrance, II: Arranging the Memorial (601)
- Moving Byzantium, I: Manuscripts and Arts at the Margins of the Byzantine World (1015)
- Multidisciplinary Approaches to the Anglo-Normans in Britain and Ireland (1244)
- Political Theory in Architecture (1348)
- Revision of Knowledge: Interpretive Transformations of Karlštejn Castle (334)
- Sculpting Knowledge: Exploring the Forgotten Worlds of 12th-Century Sculpture (1710)
- (SESSION WITHDRAWN) Imagery and Learning, III: Sculpture and the Moving Image - Time, Light, and the Embodied Encounter (809)
- Single Combat in Late Ancient and Medieval Contexts, I: Iconic Representations (540)
- Single Combat in Late Ancient and Medieval Contexts, II: Cross-Cultural Cases - Roman, Georgian, and Rus' (640)
- Textile with Meaning (104)
- The Living Dead and the Transmission of Otherworldly Knowledge in Medieval Texts and Images, I (1526)
- The Medieval Body in Art, I (1513)
- The Medieval Body in Art, II (1613)
- The Medieval Body in Art, III (1713)
- The Wars of the Roses, III: Devotion and Identity in Royal Foundations and the Parish (742)
- Water, Wine, and Sainthood (347)